I need to calculate the FFT of audiodata in an Android Project and I use jTransforms to achieve this.
The samples of the audiodata are a few seconds long and are recorded with a samplerate of 11025 Hertz.
I am not sure how to set the length of the FFT in jTransforms.
I do not really need high frequency resolution, so a size of 1024 would be enough.
But from what I have understood learning about the FFT, if I decrease the FFT size F and use a sample with a lenght of N > F, only the first F values of the original sample are transformed.
Is that true or did I understand something wrong?
If it is true, is there an efficient way to tranform the whole signal and decreasing the FFT-Size afterwards?
I need this to classify different signals using Support Vector Machines, and FFT-Sizes > 1024 would give me too much features as output, so I would have to reduce the result of the FFT to a more compact vector.
If you only want the FFT magnitude results, then use the FFT repeatedly on successive 1024 chunk lengths of data, and vector sum all the successive magnitude results to get an estimate for the entire much longer signal.
See Welch's Method on estimating spectral density for an explanation of why this might be a useful technique.
Im not familiar with the jTransform library, but do you really set the size of the transform before calculating it? Amplitude values of the time-domain signal and the sampling frequency (11.025 kHz) is enough to calculate the FFT (note that the FFT assumes constant sampling rate)
The resolution in frequency domain will be determined by Nyquist's theorem; the maximum resolvable frequency in your signal will be equal to half your sampling rate. In other words, sampling your signal with 11.025 kHz, you can expect your frequency graph to contain frequency values (and corresponding amplitudes) between 0 Hz - 5.5125 kHz.
UPDATE:
The resolution of the FFT (the narrowness of the frequency bins) will increase/improve if your input signal is longer, thus 1024 samples might not be a long sequence enough if you need to distinguish between very small changes in frequency. If thats not a problem for you application, and the nature of your data is not variying quickly, and you have the processing time, then taking an average of 3-4 FFT estimates will greatly reduce noise and improve estimates.
Related
I have a signal 3M samples long. I want to subsample it. I know that to avoid aliasing I need to filter off frequencies higher than Nyquist frequency. I know that I can do that by convolution with certain filters (e.g. Butterworth), but I know that way some of the high frequencies is preserved.
I wonder whether I can just zero the unwanted frequencies in the frequency domain and use inverse FFT to go back to time domain. Is such approach numerically correct? I know that certain libraries speed-up convolution with use of FFT.
It's not really correct. Zeroing out the top frequencies in the FFT will only zero out frequencies with wavelengths that divide the FFT length. If you were to frequency-shift your signal by half a bin and do another FFT, you'd find that there is some leakage and the upper frequencies are not all zero.
The result will be pretty close, but taking an FFT of the whole signal is a very expensive way to get just pretty close.
You should just use a normal filter. As long as you leave a reasonable amount of room between the filter cut-off frequency and the Nyquist frequency, it's easy to ensure that any aliasing error will be much smaller than quantization error and other noise.
I'm writing a tone generator program for a microcontroller.
I use an hardware timer to trigger an interrupt and check if I need to set the signal to high or low in a particular moment for a given note.
I'm using pretty limited hardware, so the slower I run the timer the more time I have to do other stuff (serial communication, loading the next notes to generate, etc.).
I need to find the frequency at which I should run the timer to have an optimal result, which is, generate a frequency that is accurate enough and still have time to compute the other stuff.
To achieve this, I need to find an approximate (within some percent value, as the higher are the frequencies the more they need to be imprecise in value for a human ear to notice the error) LCM of all the frequencies I need to play: this value will be the frequency at which to run the hardware timer.
Is there a simple enough algorithm to compute such number? (EDIT, I shall clarify "simple enough": fast enough to run in a time t << 1 sec. for less than 50 values on a 8 bit AVR microcontroller and implementable in a few dozens of lines at worst.)
LCM(a,b,c) = LCM(LCM(a,b),c)
Thus you can compute LCMs in a loop, bringing in frequencies one at a time.
Furthermore,
LCM(a,b) = a*b/GCD(a,b)
and GCDs are easily computed without any factoring by using the Euclidean algorithm.
To make this an algorithm for approximate LCMs, do something like round lower frequencies to multiples of 10 Hz and higher frequencies to multiples of 50 Hz. Another idea that is a bit more principled would be to first convert the frequency to an octave (I think that the formula is f maps to log(f/16)/log(2)) This will give you a number between 0 and 10 (or slightly higher --but anything above 10 is almost beyond human hearing so you could perhaps round down). You could break 0-10 into say 50 intervals 0.0, 0.2, 0.4, ... and for each number compute ahead of time the frequency corresponding to that octave (which would be f = 16*2^o where o is the octave). For each of these -- go through by hand once and for all and find a nearby round number that has a number of smallish prime factors. For example, if o = 5.4 then f = 675.58 -- round to 675; if o = 5.8 then f = 891.44 -- round to 890. Assemble these 50 numbers into a sorted array, using binary search to replace each of your frequencies by the closest frequency in the array.
An idea:
project the frequency range to a smaller interval
Let's say your frequency range is from 20 to 20000 and you aim for a 2% accurary, you'll calculate for a 1-50 range. It has to be a non-linear transformation to keep the accurary for lower frequencies. The goal is both to compute the result faster and to have a smaller LCM.
Use a prime factors table to easily compute the LCM on that reduced range
Store the pre-calculated prime factors powers in an array (size about 50x7 for range 1-50), and then use it for the LCM: the LCM of a number is the product of multiplying the highest power of each prime factor of the number together. It's easy to code and blazingly fast to run.
Do the first step in reverse to get the final number.
I'm reading data from the microphone and want to perform some analysis on it. I'm attempting to generate a spectrum analyser something like this:
What I have at the moment is this:
My understanding is that I need to perform a Fourier analysis - a Fast Fourier Transform ? - to extract the component frequencies and their amplitudes.
Can someone confirm my understanding is correct and exactly what type of Fourier transform I need to apply?
At the moment, I'm getting frames containing 4k samples from the mic (using NAudio). The buffer I've got is 16bits/sample (Signed Short). For reference, the above plot shows approx half a frame
I'm coding in VB so any .Net libraries/examples (preferably on NuGet) would be of most use. I believe implementations vary considerably so the less I have to massage my data, the better.
The top plot is that of a spectrograph, where each vertical time line is colored based on the magnitudes of the result from an FFT (likely windowed) of a slice in time (possibly overlapped) of the input waveform. The number of vertical points to plot (the frequency resolution) is related to the length of the FFT. Almost any FFT will do. If you use the most common complex-to-complex FFT, just set the imaginary portion of each complex input sample to zero, copy a slice in time of samples of your input waveform to the "real" part, FFT, and take the magnitude or log magnitude of each complex result bin, then map these values to colors per your preference.
Have done fft (see earlier posting if you are interested!) and got a result, which helps me. Would like to analyse the noisiness / spikiness of an array (actually a vb.nre collection of single). Um, how to explain ...
When signal is good, fft power results is 512 data points (frequency buckets) with low values in all but maybe 2 or 3 array entries, and a decent range (i.e. the peak is high, relative to the noise value in the nearly empty buckets. So when graphed, we have a nice big spike in the values in those few buckets.
When signal is poor/noisy, data values spread (max to min) is low, and there's proportionally higher noise in many more buckets.
What's a good, computationally non-intensive was of analysing the noisiness of this data set? Would some kind of statistical method, standard deviations or something help ?
The key is defining what is noise and what is signal, for which modelling assumptions must be made. Often an assumption is made of white noise (constant power per frequency band) or noise of some other power spectrum, and that model is fitted to the data. The signal to noise ratio can then be used to measure the amount of noise.
Fitting a noise model depends on the nature of your data: if you know that the real signal will have no power in the high frequency components, you can look there for an indication of the noise level, and use the model to predict what the noise will be at the lower frequency components where there is both signal and noise. Alternatively, if your signal is constant in time, taking multiple FFTs at different points in time and comparing them to get a standard deviation for each frequency band can give the level of noise present.
I hope I'm not patronising you to mention the issues inherent with windowing functions when performing FFTs: these can have the effect of introducing spurious "noise" into the frequency spectrum which is in fact an artifact of the periodic nature of the FFT. There's a tradeoff between getting sharp peaks and 'sideband' noise - more here www.ee.iitm.ac.in/~nitin/_media/ee462/fftwindows.pdf
Calculate a standard deviation and then you decide the threshold that will indicate noise. In practice this is usually easy and allows you to easily tweak the "noise level" as needed.
There is a nice single pass stddev algorithm in Knuth. Here is link that describes an implementation.
Standard Deviation
calculate the signal to noise ratio
http://en.wikipedia.org/wiki/Signal-to-noise_ratio
you could also check the stdev for each point and if it's under some level you choose then the signal is good else it's not.
wouldn't the spike be
treated as a noise glitch in SNR, an
outlier to be discarded, as it were?
If it's clear from the time-domain data that there are such spikes, then they will certainly create a lot of noise in the frequency spectrum. Chosing to ignore them is a good idea, but unfortunately the FFT can't accept data with 'holes' in it where the spikes have been removed. There are two techniques to get around this. The 'dirty trick' method is to set the outlier sample to be the average of the two samples on either site, and compute the FFT with a full set of data.
The harder but more-correct method is to use a Lomb Normalised Periodogram (see the book 'Numerical Recipes' by W.H.Press et al.), which does a similar job to the FFT but can cope with missing data properly.
Trying to understand an fft (Fast Fourier Transform) routine I'm using (stealing)(recycling)
Input is an array of 512 data points which are a sample waveform.
Test data is generated into this array. fft transforms this array into frequency domain.
Trying to understand relationship between freq, period, sample rate and position in fft array. I'll illustrate with examples:
========================================
Sample rate is 1000 samples/s.
Generate a set of samples at 10Hz.
Input array has peak values at arr(28), arr(128), arr(228) ...
period = 100 sample points
peak value in fft array is at index 6 (excluding a huge value at 0)
========================================
Sample rate is 8000 samples/s
Generate set of samples at 440Hz
Input array peak values include arr(7), arr(25), arr(43), arr(61) ...
period = 18 sample points
peak value in fft array is at index 29 (excluding a huge value at 0)
========================================
How do I relate the index of the peak in the fft array to frequency ?
If you ignore the imaginary part, the frequency distribution is linear across bins:
Frequency#i = (Sampling rate/2)*(i/Nbins).
So for your first example, assumming you had 256 bins, the largest bin corresponds to a frequency of 1000/2 * 6/256 = 11.7 Hz.
Since your input was 10Hz, I'd guess that bin 5 (9.7Hz) also had a big component.
To get better accuracy, you need to take more samples, to get smaller bins.
Your second example gives 8000/2*29/256 = 453Hz. Again, close, but you need more bins.
Your resolution here is only 4000/256 = 15.6Hz.
It would be helpful if you were to provide your sample dataset.
My guess would be that you have what are called sampling artifacts. The strong signal at DC ( frequency 0 ) suggests that this is the case.
You should always ensure that the average value in your input data is zero - find the average and subtract it from each sample point before invoking the fft is good practice.
Along the same lines, you have to be careful about the sampling window artifact. It is important that the first and last data point are close to zero because otherwise the "step" from outside to inside the sampling window has the effect of injecting a whole lot of energy at different frequencies.
The bottom line is that doing an fft analysis requires more care than simply recycling a fft routine found somewhere.
Here are the first 100 sample points of a 10Hz signal as described in the question, massaged to avoid sampling artifacts
> sinx[1:100]
[1] 0.000000e+00 6.279052e-02 1.253332e-01 1.873813e-01 2.486899e-01 3.090170e-01 3.681246e-01 4.257793e-01 4.817537e-01 5.358268e-01
[11] 5.877853e-01 6.374240e-01 6.845471e-01 7.289686e-01 7.705132e-01 8.090170e-01 8.443279e-01 8.763067e-01 9.048271e-01 9.297765e-01
[21] 9.510565e-01 9.685832e-01 9.822873e-01 9.921147e-01 9.980267e-01 1.000000e+00 9.980267e-01 9.921147e-01 9.822873e-01 9.685832e-01
[31] 9.510565e-01 9.297765e-01 9.048271e-01 8.763067e-01 8.443279e-01 8.090170e-01 7.705132e-01 7.289686e-01 6.845471e-01 6.374240e-01
[41] 5.877853e-01 5.358268e-01 4.817537e-01 4.257793e-01 3.681246e-01 3.090170e-01 2.486899e-01 1.873813e-01 1.253332e-01 6.279052e-02
[51] -2.542075e-15 -6.279052e-02 -1.253332e-01 -1.873813e-01 -2.486899e-01 -3.090170e-01 -3.681246e-01 -4.257793e-01 -4.817537e-01 -5.358268e-01
[61] -5.877853e-01 -6.374240e-01 -6.845471e-01 -7.289686e-01 -7.705132e-01 -8.090170e-01 -8.443279e-01 -8.763067e-01 -9.048271e-01 -9.297765e-01
[71] -9.510565e-01 -9.685832e-01 -9.822873e-01 -9.921147e-01 -9.980267e-01 -1.000000e+00 -9.980267e-01 -9.921147e-01 -9.822873e-01 -9.685832e-01
[81] -9.510565e-01 -9.297765e-01 -9.048271e-01 -8.763067e-01 -8.443279e-01 -8.090170e-01 -7.705132e-01 -7.289686e-01 -6.845471e-01 -6.374240e-01
[91] -5.877853e-01 -5.358268e-01 -4.817537e-01 -4.257793e-01 -3.681246e-01 -3.090170e-01 -2.486899e-01 -1.873813e-01 -1.253332e-01 -6.279052e-02
And here is the resulting absolute values of the fft frequency domain
[1] 7.160038e-13 1.008741e-01 2.080408e-01 3.291725e-01 4.753899e-01 6.653660e-01 9.352601e-01 1.368212e+00 2.211653e+00 4.691243e+00 5.001674e+02
[12] 5.293086e+00 2.742218e+00 1.891330e+00 1.462830e+00 1.203175e+00 1.028079e+00 9.014559e-01 8.052577e-01 7.294489e-01
I'm a little rusty too on math and signal processing but with the additional info I can give it a shot.
If you want to know the signal energy per bin you need the magnitude of the complex output. So just looking at the real output is not enough. Even when the input is only real numbers. For every bin the magnitude of the output is sqrt(real^2 + imag^2), just like pythagoras :-)
bins 0 to 449 are positive frequencies from 0 Hz to 500 Hz. bins 500 to 1000 are negative frequencies and should be the same as the positive for a real signal. If you process one buffer every second frequencies and array indices line up nicely. So the peak at index 6 corresponds with 6Hz so that's a bit strange. This might be because you're only looking at the real output data and the real and imaginary data combine to give an expected peak at index 10. The frequencies should map linearly to the bins.
The peaks at 0 indicates a DC offset.
It's been some time since I've done FFT's but here's what I remember
FFT usually takes complex numbers as input and output. So I'm not really sure how the real and imaginary part of the input and output map to the arrays.
I don't really understand what you're doing. In the first example you say you process sample buffers at 10Hz for a sample rate of 1000 Hz? So you should have 10 buffers per second with 100 samples each. I don't get how your input array can be at least 228 samples long.
Usually the first half of the output buffer are frequency bins from 0 frequency (=dc offset) to 1/2 sample rate. and the 2nd half are negative frequencies. if your input is only real data with 0 for the imaginary signal positive and negative frequencies are the same. The relationship of real/imaginary signal on the output contains phase information from your input signal.
The frequency for bin i is i * (samplerate / n), where n is the number of samples in the FFT's input window.
If you're handling audio, since pitch is proportional to log of frequency, the pitch resolution of the bins increases as the frequency does -- it's hard to resolve low frequency signals accurately. To do so you need to use larger FFT windows, which reduces time resolution. There is a tradeoff of frequency against time resolution for a given sample rate.
You mention a bin with a large value at 0 -- this is the bin with frequency 0, i.e. the DC component. If this is large, then presumably your values are generally positive. Bin n/2 (in your case 256) is the Nyquist frequency, half the sample rate, which is the highest frequency that can be resolved in the sampled signal at this rate.
If the signal is real, then bins n/2+1 to n-1 will contain the complex conjugates of bins n/2-1 to 1, respectively. The DC value only appears once.
The samples are, as others have said, equally spaced in the frequency domain (not logarithmic).
For example 1, you should get this:
alt text http://home.comcast.net/~kootsoop/images/SINE1.jpg
For the other example you should get
alt text http://home.comcast.net/~kootsoop/images/SINE2.jpg
So your answers both appear to be correct regarding the peak location.
What I'm not getting is the large DC component. Are you sure you are generating a sine wave as the input? Does the input go negative? For a sinewave, the DC should be close to zero provided you get enough cycles.
Another avenue is to craft a Goertzel's Algorithm of each note center frequency you are looking for.
Once you get one implementation of the algorithm working you can make it such that it takes parameters to set it's center frequency. With that you could easily run 88 of them or what ever you need in a collection and scan for the peak value.
The Goertzel Algorithm is basically a single bin FFT. Using this method you can place your bins logarithmically as musical notes naturally go.
Some pseudo code from Wikipedia:
s_prev = 0
s_prev2 = 0
coeff = 2*cos(2*PI*normalized_frequency);
for each sample, x[n],
s = x[n] + coeff*s_prev - s_prev2;
s_prev2 = s_prev;
s_prev = s;
end
power = s_prev2*s_prev2 + s_prev*s_prev - coeff*s_prev2*s_prev;
The two variables representing the previous two samples are maintained for the next iteration. This can be then used in a streaming application. I thinks perhaps the power calculation should be inside the loop as well. (However it is not depicted as such in the Wiki article.)
In the tone detection case there would be 88 different coeficients, 88 pairs of previous samples and would result in 88 power output samples indicating the relative level in that frequency bin.
WaveyDavey says that he's capturing sound from a mic, thru the audio hardware of his computer, BUT that his results are not zero-centered. This sounds like a problem with the hardware. It SHOULD BE zero-centered.
When the room is quiet, the stream of values coming from the sound API should be very close to 0 amplitude, with slight +- variations for ambient noise. If a vibratory sound is present in the room (e.g. a piano, a flute, a voice) the data stream should show a fundamentally sinusoidal-based wave that goes both positive and negative, and averages near zero. If this is not the case, the system has some funk going on!
-Rick